Scorpion Score Composers

 Author, Composer, Songwriter and Sound Designer
Professional musician since 1995, with several Italian and International artists and ensembles in Pop Music, Classical, Soul and Jazz.
Pianist-Keyboardist and Hammond player in Live Tours, collaboration in TV broadcast project and show by RAI, Mediaset, SKY, LA7, Nove..., musician and Orchestra Conductor sharing the stage with bands and soloists of international reputation.
Member of ACMF (Associazione Compositori Musica per Film) and teacher of Composition at LAC (Laboratorio d'Arte Cinematografica) in Rome.
Developed projects for Film Industry, for Amusement Parks field, as a Composer, Director and Artistic Producer for various Labels.
Published over 1200 compositions, 15 Film Scores & hundreds Soundtracks for Movies, Corporate, Broadcasting, Amusement Parks and Show-business. 
Works and collaborations with artists like Ian Anderson, Morris Albert,
Mario Biondi, Tinkara Kovac, Victor Daniel. Joaquin Yglesias, Ronnie Jones, Simona Molinari, Silvia Mezzanotte, Petra Magoni, Joe T Vannelli, Erminio Sinni, Alessia Pintossi ...

Michael Johnson is an award-winning film, TV, and video game composer living and working in Paris, France. Known for his melodic, lush, and colorful orchestral scores, Michael has scored dozens of short films and a TV series.  A film he scored “Le Petit Mortimer” won a $10,000 development award at the 2025 Collaboration Filmmaker’s Challenge. He composed and conducted melodic orchestral arrangements for Grammy-nominated prog rock darlings the Decemberists’ iconic album Her Majesty as well as for his own bands Reclinerland and Parks & Recreation. Michael created the acclaimed soundtrack for the period drama C. Kingsley. His soundtrack for the short film “Sorcery Solutions” won the Inland Empire 48-hour Film Festival’s award for Best Original Score. Michael earned a Master’s Degree in Music Education from Portland State University and studied alongside Andy Hill, former vice-president of music production at Disney, and Norman Ludwin, Hollywood orchestrator for Michael Giacchino, at the Film Scoring Academy of Europe, where he conducted a 52-piece orchestra and earned a post-graduate degree in Film Scoring. His playful rescore of the short animation Wing It! was a finalist in the 2024 ScoreRelief competition. His plaintive and sentimental folk song “Every Road I Travel” found pride of place among the top 36 finalists out of 5,000 entries in the 2024 Talent is Timeless songwriting competition. Michael has written and orchestrated two full-length musical plays, one of which he turned into a musical graphic novel, Success!  In 2025, Michael joined the NYC-based composer collective Scorpion Score  alongside talented composers from all over the world.

After studying piano and composition, he began collaborating with the "Gruppo Strumentale Veneto," performing in approximately two hundred concerts in the world's most important venues, including Berlin, Las Vegas, Moscow, and Beijing.

He attended the "Music in Film" course taught by Ennio Morricone at the Accademia Chigiana in Siena.

In 2004, he founded the Venice Light Orchestra, an Ensemble poised between symphonic and world music, where ancient and modern styles blend in an original way. The tour "Riflessi Sinfonici" is the result of this creative process, a path into the five continents through an ambience rich of charm.

Writes the soundtrack of "LOT 2005" a documentary on the exploration of underwater caves as far as France.

He was asked to compose the theme song for the Gran Gala Ciclistico Internazionale, broadcast on Italian television.

He writes and arranges for many Italian singers.

In 2017 he brought "Myths and Legends" to theaters, a Visual Concert featuring eight musicians and two singers. History's most captivating adventures are reinterpreted with music and visual effects of great emotional intensity, transporting audiences to a different time and another space.

Collaborates with various US music publishing houses specializing in licensing.

2025: Writes the soundtrack for the animated series "Insecta."

Composer

Xuesi is a media and concert composer based in Los Angeles. He holds a Doctor of Music in Composition from Florida State University, where he received a full tuition waiver and graduate assistantship, as well as a Master of Music from the University of Illinois Urbana–Champaign, also supported by a full tuition waiver and graduate assistantship, and a Bachelor of Music from the Shanghai Conservatory of Music. He also earned a Master of Arts in Professional Media Composition from ThinkSpace Education, studying with industry veteran Kevin Manthei, and pursued additional training with two-time Emmy Award–winning composer Hummie Mann. Xuesi has previously taught electronic music and aural skills at Black Hawk College, as well as composition, digital synthesis, music theory, and aural skills at Florida State University.

He writes music to challenge the traditional exotic stereotypes associated with Eastern music. His music has been performed by leading orchestras such as the Albany Symphony Orchestra, RIT Philharmonic Orchestra, University of Illinois Philharmonia Orchestra, Shanghai Opera House Orchestra, Sofia Philharmonic Orchestra, North/South Consonance Chamber Orchestra, and ensembles such as Slee Sinfonietta, Divergent Quintet, Arditti Quartet, icarus Quartet, and Kamratōn ensemble. He formerly taught electronic music and aural skills at Black Hawk College. 

His recent score for the short film All Consuming won Best Original Score at the 2024 48 Hour Horror Film Project – Seattle, and he received a Best Music Nomination for Ostrich at the 2025 48 Hour Film Project – Seattle.

Mexican composer, producer, and singer-songwriter.

She began her career at age 12 singing in a children's music and theater ensemble.

The film and television industry has had a great influence on her compositions, as she has

produced more than 90 incidental songs for Televisa Music Publishing, Mexico's most

important broadcast television network, in shows that have been broadcast in many countries.

Her song “Jaula de papel” (Paper cage) was the inspiration for a short film with the same name

that participated in the 2026 Tequila International Film Festival.

She was selected from worldwide participants to attend Music Export Poland, a residency in

Poland for contemporary film composers, organized by the Society of Authors ZAiKS.

She has experimented with sound narrative because she has collaborated on the sound

design of some short films, one of which won the “ecofilm 2012” award.

With all the narrative and visual influence, as a singer-songwriter under the stage name

Alexevius, she composed and produced her two albums, “Flotando en espiral” (Floating in a

spiral) and “Sinestesia”(Synesthesia).

She obtained a scholarship to study at the composition workshop of the Society of Authors

and Composers of Mexico.

She received an Honorable Mention for one of her pieces, which is part of the “Radio

Educación Centennial Commemorative Collection.”

 Anna Kate Breeding is a sound designer that specializes in post productions. Her love for sound started at a young age through movies and music. She followed that passion and earned a BFA at Savannah College of Art and Design focusing in sound design. There she learned the ins and outs of post production sound through working in dialogue editing, sound effects editing, foley, ADR, sound supervising, and re recording mixing. Not only does she work in films, she also loves to mix and master music. Her qualifications are also beyond a degree, she has a certification in Pro Tools and Dolby Atmos. Her love and passion for sound design drives her to tell stories through the art of sound. 

 Music Composer | Audio Designer
Lukas is a trained composer and audio designer specializing in music for video games and cinematic trailers. His work spans both indie productions and AAA game titles, allowing him to collaborate with game studios worldwide. His recent credits include projects such as PUBG, Arena Breakout, Honor of Kings, Infinity Nikki, Fallen Tear: The Ascension and more. As a multi-instrumentalist, he combines strong musical versatility with a deep understanding of interactive and cinematic sound and is highly experienced in working across a wide spectrum of musical genres. Lukas has received multiple awards for his work in music composition and audio design.

Composer and producer creating music for internationally scaled storytelling - from auteur cinema to AAA games and global advertising campaigns.

His work has been featured in films presented at the Sundance Film Festival and the Cannes Film Festival. His musical projects have also been connected with the Eurovision Song Contest, one of the largest stages in global pop music.

In the game development industry, Kirill collaborates with both indie studios and AAA productions, crafting musical worlds that enhance narrative depth, gameplay rhythm, and immersion. His approach focuses on building cohesive sonic ecosystems - including character themes, adaptive music systems, and hybrid orchestral-electronic scores.

As a composer for advertising, he has worked with global brands such as Google, Mercedes-Benz, and Puma, among other international companies.

With over 11 years of professional experience, he combines a distinctive musical voice with high-level production precision. His music goes beyond accompaniment - it serves as an emotional architecture that shapes atmosphere, tension, and lasting impact.

New Dimensions in Sound & Music for Concert, Film, & Multimedia Productions

Born in northern New Jersey, Kevin Michael Mahonchak began his musical training at the age of

ten, studying the keyboard and later guitar. After high school he continued his studies at New

York University and completed a degree in music composition and theory, along with further

studies in the physical sciences.

He has been associated with various composers over the years including Howard Shore,

Leonard Rosenman, and Justin Dello Joio, as well as worked with such orchestras and

ensembles including the London Philharmonic Orchestra, Hollywood Studio Symphony, Kronos

Quartet, Brooklyn Philharmonic, & the Martha Graham dance company. His work in film

includes such credits as “The Game”, “Cop Land”, “The Cell”, “The Score” & the “Lord of the

Rings” trilogy.

As a composer/orchestrator, he has been influenced by various forms of music including

modern classical, rock, jazz fusion and ethnic genres. Fusing together elements of these

different styles & musical systems, along with various sound designing procedures, he has

developed his own approach to music composition and design, including the use of electronic

and acoustic instruments ranging from modern synthesis to full orchestras.

Silvio Uboldi is an Italian composer and producer whose music has been

featured in international productions including Netflix series such as Oltre ogni

ragionevole dubbio (The Yara Gambirasio case), as well as documentaries and

television programs. His work has also appeared on major broadcasters

including RAI and ESPN, contributing music to a wide range of film, television

and media productions.

Classically trained from an early age, Silvio studied piano and viola before

expanding his work into electronic keyboards, music technology and modern

production techniques. He later graduated from the Conservatory with a degree

in composition for visual media, developing a strong focus on narrative-driven

music for film and television.

His musical language blends orchestral writing, contemporary sound design

and electronic production, creating cinematic scores that move fluidly between

acoustic instruments and modern textures. His work often focuses on

atmosphere, emotional depth and strong thematic storytelling.

In recent years Silvio has expanded his artistic research into immersive audio

and spatial composition, developing music specifically designed for Dolby

Atmos environments, exploring how sound placement and movement can

enhance narrative and audience immersion.

Alongside his work for screen, he is also active as an arranger and ensemble

director, continuing to explore the dialogue between traditional performance

and contemporary media music.